Having watched ‘Border’ ( reviewed here) a film about Tina, a customs officer who can smell fear and literally sniffs out those incoming passengers who are up to no good, it’s difficult to know what to expect when we waited in a boutique hotel in London to meet respected Swedish actress Eva Melander. You had her own hair, and I thinned it a little bit, too. It was a strange journey, trying to get somewhere with Ali, because he’d never done this before. In 2018, gelatin is no longer a go-to artist for most makeup designers. This Article is related to: Awards and tagged Border, Consider This, Eva Melander. Zero Trailers. She ... Born: December 25, 1974 “It was like an extreme sport. Eva Melander (Actor), Eero Milonoff (Actor), Ali Abbasi (Director) & Rated: Suitable for 15 years and over Format: Blu-ray. When she meets a … We didn’t want them to look like fairy tale trolls; we wanted them to look like some kind of race that functions in our society. “Border” is now playing in New York and Los Angeles. Eva Melander trained at the National Academy of Mime and Acting in Malmö. Eva Melander does more acting with her upper lip in Border than some actors do … The blue-eyed blonde looks nothing like her animalistic creation in “Border,” and the specifics of that transformation make it clear that she’s delivered the most astonishing performance of the year. Called away to work on National Geographic’s Genius while Border was in production, Lundström recruited a regular collaborator, Pamela Goldammer, to handle the day-to-day rigors of makeup application. Prosthetics taught Eva patience. It’s very easy for us to fall into that trap, especially with sculpting. So, she didn’t have much to go from, but he did. In Sweden, time and money are always problematic factors, but in the case of Border, the designer was more concerned with the challenge of transformation—taking his actors far away from their own features, without distracting the film’s audience. Goldammer: At some point, there were supposed to be contact lenses too. There’s a perk to that, too. She began listening to meditation apps. After this test makeup, I found out that there was also another guy who has a makeup, Eero, and he was going to be on [set] some days when I was applying makeup on my own. Selected filmography. “I had a teacher in acting school who said, ‘Your fucking personality must not stand in the way of the character you’re supposed to do,’” said Melander in an interview from her hotel in New York. Goldammer: Sometimes, we saw just the upper body, and sometimes we saw them fully. We were even trying to see the skin through the hair on top, and have everything cut wispy around the front. I was trying to find faces that I liked that would do something for Eva’s very pretty face, and there’s an actor called Eddie Marsan—he’s got a really interesting face, but if you look at him and Eva, there’s similarities, like his lazy eyes and his quite protruding forehead. I don’t know what happened before they contacted me, but we only had two months before shooting, which is really short for something like this—and they told me whatever makeup we do could only take an hour. It’s quite a lot of money to do one to look at and go, “Oh yeah, we like this; we don’t like this.” We did a quick one in like a week and a half, and I based it basically on one drawing that Ali showed me, a sketch that he had from way back. After seeing Melander in Border, meeting her in person is immediately disorienting. In its first sequences, “Border” is shot and edited in a straightforward style that suggests a documentary. Pamela Goldammer: When I got involved, I saw just the design of Eva, with the test makeup, and I was like, “’Yeah, this is really nice.” Production still had just one hour [for prosthetics]; at this point, they still didn’t realize that this was a three-and-a-half-hour makeup. It must have been particularly challenging for everyone involved, when Tina and Vore decided to go for a swim. “They call me because they’re curious about what I can create. Part of my brain felt like this was insane, but exciting at the same time.” It was also very uncomfortable. She was buried in nine pieces of prosthetics, covering her eyelids, nose, and mouth, so she couldn’t fall asleep or watch television to pass the time in the chair. At this point, it was the evening before [the shoot], it was really late, and the only chance to make this work was to use Eva’s own hair. “We got the time down as much as [possible]; literally, every move was prepped. Göran, how did you come to work on Border? Border Con-Troll: Ali Abassi, Eva Milander & Eero Milonoff Interview Robert Barry , March 9th, 2019 10:17 Border, the second feature by director Ali Abassi (Shelley) is based on a short story by John Ajvide Lindqvist (Let the Right One In) drawing on the Nordic mythology of trolls, about a woman with strange gifts who works in border control. “Of course, I would then go the moment she would be on the side, and I could work on her. So on those days, we had everything in silicone. Hello there…. Lundström: What I tried to achieve, besides just trying to find a face I liked, was to try and get Eva more animalistic, so I made the nose a little bit wider, at an angle that humans don’t have, but animals have, and also pointier ears. Weird performance. ” the connection to tina is a Swedish actress alters appearance., you tend to go from, but he did their whole bodies in a lifetime: Awards tagged. Stay away from those wrinkles, especially around the mouth but exciting at the very least, teeth! 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